A written concept is usually a prerequisite for project funding. But what criteria are used to assess this dossier? What can I look out for? How do I put my ideas down on paper in an understandable way? Through the introduction of writing tools, collective reading of dossiers, feedback and exchange, the course leaders Kathrin Walde and Regula Spirig show how to make writing a natural part of the creative process.
Getting to know different requirements for input dossiers
Reflecting on the funding landscape and its understanding of funding
Identifying the basic building blocks of input dossiers using practical examples
Testing some writing tools (if possible based on existing text material)
​October 22 & 24, 2025, 9 am –12 pm​
The course is for producers, producing artists and anyone who wants to become one.
Your computer and a current dossier or project that you can work on. The course is held in German.
Corsin Gaudenz is an independent theater maker. His group cie corsingaudenz was supported by the City of Zurich as part of the three-year funding 2020-22. His experience in concept development, as an author, director and in teaching allows him a wide field of activity. His precise but open way of working and his curiosity for new contexts and constellations are characteristic. His artistic work has received numerous awards. After training as an actor, he completed both academic and applied studies: in 2009 at the Berlin University of the Arts (MA Solo/Dance/Authorship) and in 2019 at the University of Bern at the Institute of Theater Studies with the thesis "Amateur theater as a living tradition in Central Switzerland".
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